The name Ukraine has been interpreted as "borderland" over the centuries. Today Ukraine effectively represents a border between the EU and Russia. Since independence in 1991 the country has experienced a turbulent transition from Soviet rule and has effectively been caught between East and West ever since.
Last week Ukrainian politicians voted to suspend preparations for the signing of an association agreement paving the way for closer ties with the EU. The deal also stipulated that former prime minister Yulia Tymoshenko should be released from prison for medical treatment. Ukraine came under intense pressure from the Kremlin not to sign the agreement. It seems that in this case, they've bowed to Moscow. For now.
Protestors have gathered in the capital Kyiv in scenes reminiscent of the 2004 Orange Revolution. However, this situation, as with the Orange Revolution, is not straightforward. This isn't a case of East V West, nor is it a case of Russian speakers identifying solely with Russia, indeed many ethnic Russians in the country are pro-EU, further complicating the issue. Ukraine is a fascinating, complex and contradictory country; the return of Viktor Yanukovych from the ashes of the Orange Revolution exemplifies this.
It'll be interesting to watch the developments in the country in the coming days and weeks. At the weekend Kyiv will host the 11th Junior Eurovision Song Contest. Will this impact upon the show? Probably not. Unlike in 2005, where the adult version of the Eurovision Song Contest was used as a political platform by President Yushchenko's government, the junior version has tended to be a more benign affair. That said, Azerbaijan and Armenia are both entering again this year so there's plenty of opportunity for the politics of pop to rear its ugly head during the voting!
Instead of borderland, I'd describe Ukraine today as a battleground, caught up in a geopolitical tug of war. It's difficult to envisage how developments will unfold in the country in the future. Ukraine is anything but a united country. The Ukrainian entry for Junior Eurovision this year is called "We Are One", the irony of which is plain to see.
Just two weeks ago I was in the middle of the Eurovision bubble, in Baku. Now, it's like it never happened. Eurovision 2012 may be over but it won't be easily forgotten by those who were there.
Something interesting happened this year though, the big fan favourite of the contest actually won! Sweden's Loreen was riding high in both the betting odds and fan polls and yet somehow I didn't think she would actually take the trophy. There have been too many times when a big fan favourite has failed at the final hurdle; Hungary in 2011, Iceland in 2010, Sweden in 2008 and of course two of the most spectacular flops: Belgium in 2006 and Cyprus in 1999. Personally, I didn't mind the song, I thought it was ok and still do. It wasn't my favourite (good old Eesti was, and still is!) but I am happy that Sweden won. Why? Well two reasons: firstly, it's a massive hit all over Europe which is good for the contest. "Euphoria" is currently sitting at number three in the UK top 40. This is an amazing achievement and means that the 2012 Eurovision winner is the biggest non-UK Eurovision hit since Germany's Nicole hit the top spot 30 years ago! The second reason is a purely selfish one; Sweden is easy to get to and accommodation will be (hopefully) pain-free to arrange! Now the beer prices, well, that's a whole other matter!
Hard luck to the UK, finishing second last was certainly disappointing. I thought the BBC made a brave decision to choose The Hump and in terms of UK audience, it was a stroke of genius. When it was announced that Engelbert Humperdinck would be representing the UK in Eurovision, there was intense media interest. The story featured on both the BBC and ITV news programmes. In terms of the profile of the contest, it was a triumph.
As for the song, it was pleasant, unoffensive and perfectly crafted. However, it wasn't instant enough for the average viewer and poor Engelbert's renditions were just a little bit off. On the Friday evening, when the juries were voting, The Hump didn't turn in his finest performance. That will have undoubtedly cost the UK valuable jury votes. On the Saturday night final, he looked a little out of his depth and ultimately delivered a disappointing performance. There was also the draw which didn't help poor Engelbert and the fact that this year was deemed by many fans to be a strong one and the winner too close to call.
I don't buy into the notion that "Europe hates us". We just weren't good enough. As much as I think the BBC made a brave and genius decision to select The Hump, he hadn't had a hit since the 1970s. Yes, there is always neighbourly voting - that's always been the case in Eurovision and probably always will be. The UK and Ireland are just as guilty of that these days. Ultimately though, the winner received points across the board with only one country, Italy, failing to give Sweden anything.
If the UK are hated so much by the public then how come Blue finished 5th in the televote last year? How come Jade Ewen finished 5th overall in Moscow in 2009? Eurovision is a television show on a Saturday night, do we really think people are sitting at home thinking "that's a great song from the UK but I couldn't vote for it because of David Cameron"? I think such notions, quite frankly, give too much credence to the average voter in Eurovision. Part of the issue may also lie in the voting structure in Eurovision. Only ten countries score points (1-8, 10, 12) so technically The Hump might have been mid-table with many countries and failed to score.
In a strong year, in a field of 42 entries, what makes us think that we deserve to be up there for simply gracing the stage? If the UK public couldn't get behind the song (it charted at number 60), then how can we expect Europe to vote for it? Such attitudes fail to acknowledge that Eurovision has changed and we have to change with it, come back next year, with something fresh and new and give Europe a damn good thrashing! Hard luck Engelbert, you were a fantastic ambassador for the UK and didn't have a thing to lose! Thank you for the music!
Azerbaijan was an interesting setting for the 2012 contest and one which I am incredibly glad that I went to. It was a year to remember for a number of reasons. Baku is four hours ahead of UK time which certainly played havoc with the old body clock! Allegations of human rights abuses, concerns about freedom of the press and freedom of expression, coupled with tensions between Azerbaijan and both Armenia and Iran meant that Eurovision 2012 was perhaps the most politically-charged contest of all time. I met some incredibly brave and inspiring people in Baku and I salute those from organisations such as Sing For Democracy who put themselves on the line. Activists did not want us to boycott Azerbaijan, they wanted us to come to the country and experience it for ourselves. A year ago there was no discussion concerning Azerbaijan's human rights record, where as now, there is a dialogue and I see that as a positive thing. I hope that the work that human rights activists do is allowed to progress without hindrance. It was interesting to note that Anke Engelke, one of the presenters from 2011, directly addressed the political situation in Azerbaijan during the voting:
"Tonight nobody could vote for their own country. But it is good to be able to vote. And it is good to have a choice. Good luck on your journey, Azerbaijan. Europe is watching you."
The volunteers and the ordinary people I met in Baku were wonderful. They were so incredibly friendly and helpful and were a credit to their country. Special thanks should also go to my friend Zuly who helped to arrange accommodation and contacts for me and also her brother Haji who was incredibly hospitable and provided us with a memorable evening of fine cuisine and followed by some karaoke I'd rather forget!
For me personally, Eurovision 2012 was exciting and interesting. I was fortunate to be interviewed by a variety of media outlets including the BBC's World Service as well as The Telegraph, Daily Express and even The Sun! I owe a debt of gratitude to the BBC3 team as well who produced the UK coverage of the two semi finals and provided me with a platform as 'Dr Eurovision'. I came home feeling very exhausted but overall, incredibly happy. Many of my friends talked about experiencing PED or Post-Eurovision Depression. I too have had a few pangs and certainly missed the friends I have made over the years and the new ones I met in Baku. I am already looking forward to being reunited again as our thoughts turn to Sweden in 2013. Ulimately though, it's back to reality which for now, is outside of the Eurovision bubble.
Well I've been in Baku nearly a week now and feel like I've lived here for years. I've finally sorted out my sense of direction and even know how and when to argue with the taxi drivers! Progress indeed!
I walked to the arena this morning - in glorious sunshine - and managed to get burned and step into a deceptive puddle. It looked about half a centimetre deep and turned out to be a crater of clay! Messy! I asked one of the gardeners to hose the shoe down and he went one better, he put it on and used the jet spray. Poor chap got soaked in the process but he was happy to help. The locals here have been so helpful and continue to work throughout the day and night in preparation for next week. A disabled toilet has appeared in the press centre. When I say disabled, a sign has been placed on one of the doors and railings have been inserted. The cubicle however, has not been widened so it's somewhat pointless and clearly an afterthought.
The Ralph Siegel party is actually on Sunday - I'm hoping to go! So another night in Euroclub it was. The DJs are mixing Eurovision music with more dancy stuff and it seems to be working. Unlike Moscow there the lack of Eurovision music really made the Euroclub a disappointing place to be, here in Baku, there is an attempt at compromise.
I often wonder what the security guards think of the delegates at Eurovision - loads of camp queens flouncing around and dancing to bizarre music. The volunteers also continue to dance the night away and are always great fun. A slightly awkward moment came last night when Armenia's 2010 Eurovision entry, "Apricot Stone" was played in the Euroclub. I've never seen a dancefloor clear so quickly! Some Azeris did stay, although it's unclear if they knew what they were dancing to. Another young lad ran around waving the Azeri flag vehemently. Politics is never far from Eurovision.
Bemused security guards at the Euroclub The party in full swing
The UK delegation are flying over tonight and will rehearse tomorrow. Then of course it's the opening party. More later!
